My Winnipeg Project is a series of four consecutive exhibitions. It includes pieces from more than 100 artists that have lived in, worked in, or are somehow associated with Winnipeg. The show is being held at the Plug In Institute of Contemporary Art, located in the Buhler Centre at 460 Portage Avenue. It is a gallery I had not checked out previously. The building itself is beautifully laid out and architecturally modern in design. As an added bonus, the ever delicious Stella’s Cafe and Bakery is inside it.
Walking into the gallery is like walking into a very small library. In the first room of the two-room exhibit are two shelves filled with Border Crossings magazine which is a quarterly art and culture magazine published in Winnipeg. There are also two tables lined with chairs in the middle of the room. They are scattered with books about Manitoba, Winnipeg and the artists featured in the exhibit. A small stage is set up in the corner of the room to transform the place into a cabaret on selected evenings.
Sigrid Dahle, the exhibition coordinator had a small write up about the show on one of the walls of the first room. She says she wondered why surrealist and dada influences were noticeable in the work of so many Winnipeg-based artists. She wrote that, “Winnipeg is a city with a troubled social and political history, a place in which the traumatic effects of colonialism, economic inequality and class warfare haunt the present. Surrealism and dada emerged in Europe between two World Wards a historic moment characterized by extreme political, social and economic turmoil and suffering – but also by hope.” She goes on to say that this exhibition is meant to be a collection of images that ponders these ideas.
As far as the art itself, the first room had just two paintings in it. One was titled, Winnipeg Map, by Marcel Dzama, a well-known Winnipeg artist. It was a blown-up print of a water colour painting on lined notebook paper. There are funny illustrations representing both real and fictional Winnipeg landmarks and events. These include the “Giant Squid of the Red”, “The Royal Canadian Mint where Canadian money is made called loonies and toonies” (The illustration is of two giant bears gnawing on the Mint building, causing it to crack), “Los Bravos Motorcycle Gang headquarters”, and the “Tinkertown Tick”, complete with a scarf and reading glasses, to name just a few things on the map.
The other room is filled with many different art pieces in different mediums related to Winnipeg. There were a lot of old photos by Lewis Benjamin Foote, a photographer that lived in Winnipeg from 1902 till 1957. The photographs by him often seem strange or extreme. An example is, Moving a House with Horses, in which a whole house is being moved by about twenty five horses.
There are also a couple of photos of seances that happened in the early 20th century from the University of Manitoba Archives. An entranced woman is show with ectoplasm coming out of her mouth with a face appearing on the extoplasm.
Another piece was I Awoke to Find My Spirit Had Returned (from Plain(s) Warrior Artist), by Rosalie Favell. It shows a woman waking up in a bed, covered in a blanket with the signature Hudson’s Bay Company print on it. She is surrounded by people, most notably, Louis Riel, who is peering straight ahead from an outside window. The scene is a play on a scene from the movie, The Wizard of Oz. At the end of the film, Dorothy wakes up surrounded by her family and realizes that the great adventure she just had was just a dream. The artist in this work has photoshopped a woman in the Hudson’s Bay blanket and Louis Riel into the scene to make it seem purely Winnipeg-esque. I feel that this piece is about the women realizing that her spirit has returned once she knows she is back in Winnipeg her home. The title of the exhibition, There’s No Place Like Home, is also a play on a quote from The Wizard of Oz and the idea of being comforted by the place we have grown up in, which is in this case, Winnipeg.
I really enjoyed this exhibit. It was interesting to see how different people view this city. The general themes were nostalgia, strangeness, mysticism, criticism of the city we grew up in as well as a love for it. These unusual themes makes the exploration of what this city stands for fascinating to say the least.
The project will be displayed in four consecutive segments. To get the full experience of the exhibition, I plan on checking out all four of the art displays!
The different chapters and show running times at Plug In ICA are:
My Winnipeg: There’s No Place Like Home, September 8 to October 7, 2012
My Winnipeg: Maps & Legends, October 27 to November 25, 2012
My Winnipeg: Winter Kept Us Warm, December 15 to January 20, 2013
My Winnipeg: The Artists’ Choice, February 9 to March 17, 2013